Countless writers love to address the issue of society’s
obsession with appearances. Even Abraham Lincoln states that “Character is like
a tree and reputation its shadow. The shadow is what we think it is and the
tree is the real thing.” So of course, a great writer like Mary Shelley brings
up this point even from the beginning of her prominent novel Frankenstein.
It is evident that the creature in Frankenstein suffers from severe ostracism due to his “unusual
appearance”. Every person he encounters runs away from fright or berates him
when they behold his not-so-normal features. (He’s eight feet tall and made of
decaying body parts!) One over-the-top reaction to the creature’s appearance
comes ironically from his creator, Victor. Upon seeing the creation for the
first time, Victor states that “breathless horror and disgust filled [his]
heart” (Shelley 51). What makes his
reaction more dramatic is that he runs away from his own creation and falls
into a “nervous fever, which confined [him] for several months” (55).From this,
we can definitely infer that Victor is overreacting since the creature who had
“a grin wrinkled [to] his cheeks” at that time obviously did not pose as a great
danger (52). As a result of society’s unjust bias, the creature becomes
isolated, spurned by the De Laceys and even gets shot for saving a girl’s life.
All of these extreme events lead to the creature’s realization that he will be
truly alone in this world. However, there is good news for the creature: he is
not alone. There is a special individual who isolates himself to conceal his
deformed face, The Phantom.
As many people know The Phantom is
the main character of the famous book/musical The Phantom of the Opera. The Phantom serves as an epitome of an
isolated being who is driven to “unconventional” acts. (I must admit that I am
euphemizing his actions since most people consider his acts as insane.) One
instance, he murders a man and displays his body in front of a crowd who were
just simply trying to enjoy an opera! Yes, I’m not kidding but thankfully he
too has a pretty good reason for his unscrupulous acts. The Phantom also known
as Erik was born with a deformed face which even aroused disgust from his own
mother. Like the creature, the Phantom is abandoned by his own parent and is
led to believe that his appearance is of cursed ugliness” (Leroux). The Phantom
faces even more adversities when he joins a circus. The circus takes advantage of
the naïve Phantom and locks him in a cage where he is displayed to the
audience. At the circus he is treated like an animal which destroys his self-esteem
and his sense of morality. He eventually escapes the circus and makes the Paris
Opera House his home fully aware that society will reject him. He creates a
lair in the Opera House and conceals his face with a mask driving him into deeper
isolation.
Despite the revelation that the
creature and the Phantom share the same dilemma, they are both destined to an
unhappy ending. (The creature decides to kill himself and the Phantom is forced
to let go of his love). Hence, it can be assumed that Shelley and Leroux employed
these two characters to represent society’s unjust bias towards people who are
simply different. Also, they are alluding to the assumption that this bias is a
cycle of human nature since we are still cursed by this oppressing issue.
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